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ESSAY: Disability and Indian Cinema

SENSORY IMPAIRMENTS AND CINEMA IN INDIA

By Joyojeet Pal 

Studies of disability in India show widely prevalent views of disabilities as being deserved as a result of some action attributable to a previous life, or a sin of another life, even among the disabled themselves. To understand how such beliefs are held and reinforced in modern-day India, we examine the portrayal of the disabled in Indian cinema to document ways in which ideas about disability may be reinforced by popular media. This article studies the portrayal of disability in Indian cinema from the early talkie era to contemporary cineplex blockbusters. We begin by relating popular cinema against the depiction of  disability in Hindu mythology with characters such as Dhritarashtra, Ashtavakra, Manthara, Surpanakha and Shravan and find much resonance of these with some of the typecast representations in Indian cinema. The article argues that the stereotyping of disability has been done in a few important ways, and citing over 200 examples primarily from Hindi and Tamil cinema, we examine these in detail

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ESSAY: The Paradox of K Balachander

MELODRAMA FOR THE CLASSES

Joyojeet Pal writes on the legacy of Dada Saheb Phalke awardee, K Balachander.

The opening sequence of the 1970 film Ethiroli remains an apt introduction into K Balachander as a filmmaker. The title cards appear with no sound other than the crackling of moving film, against the black and white backdrop of a courtroom. There is a noir-ish expectant tension as the camera pans to lawyer Sivaji Ganesan, readying himself to cross examine a witness. The camera focuses on Sivaji for several seconds as he stares down the witness. The exchange between the two of them is wordless with the focus being the intensity of Sivaji’s histrionic gaze as he taps his spectacles against his face. The camera switches back and forth between Sivaji and the increasingly nervous witness. Without a word spoken, with the witness caves and confesses. “That is all your honour", finishes Sivaji.

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