A Day in #Court

A subversion of the classic courtroom drama, Chaitanya Tamhane's Court was inspired by real Mumbai trials. “When I attended a nondescript lower court in suburban Mumbai, the sheer lack of drama, and the casualness with which life and death decisions were being made, was what sparked my imagination."

  1. REVIEWS

  2. "There are courtroom dramas, and then there’s “Court,” Chaitanya Tamhane’s impressive debut, which flays alive India’s justice system while commenting on class, education and access to power. Managing to be both extremely rational and extremely humane, the film works so well thanks to an intelligent, superbly understated script and a feel for naturalism that extends beyond mere performance. Tamhane’s judicious entry into lives outside the courtroom provides texture and depth, making this well-rounded depiction of a dysfunctional judiciary an engrossing piece of cinema. Possibly too cerebral for the “Lunchbox” crowd, “Court” could use fest exposure to propel itself onto specialty screens."

  3. "The searing language of the song we hear Narayan sing is silenced by dry legal formulas given in Hindi, English and Marathi, as his life is ebbing away in a series of dates and endless deferral. The court is no longer a place where truth is discovered, but rather a form of punishment in itself. Although Tamhane's film recalls Franz Kafka in its nightmarish vision of inhumane bureaucracy, Court is neither faceless nor surreal. Rather, the absurdity and numbness are all too human and as such even more frightening."
  4. Translated Excerpt: "Nice movie on the judicial system of his country, and more generally on the clash between modernity and still ongoing preservation of archaic traditions. Chaitanya Tamhane, born in 1987, is the author of this beautiful film, very rigorous, well-photographed, set in Mumbai. Perhaps one of the best things seen in the Horizons section of 71 Mostra del Cinema di Venezia."
  5. Translated excerpt: "Court uses a narrative premise aimed at something else: the construction of an ensemble film that unravels from a common nodal point, in which the courtroom is an extremely bureaucratic apparatus and makes unforgiving decisions on the lives of others. This is justice, cynical and ruthless. A film in which, ultimately, all seem to be victims and perpetrators. Justice remains, always, an utopian ideal."
  6. Translated Excerpt: "The ambiguity of the film is its strength. The portrait of environment is sincere and solid, leaving behind the outrage, for a tone often surreal and alienating."
  7. Translated Excerpt: "Tamhane reminds us we are in a subculture of Bombay very definitely but leaves the impression that the viewer is placed in a wider dimension. That is, we are informed about how the justice in India is, but we are also encouraged to ask ourselves whether in our country things are that much better in terms of respecting the rights of people"
  8. Translated Excerpt: "The screenplay, written by Tamhane, is focused, but the search for objectivity results in exhausting visuals, weighed down by a rhythm that is absent, and turns what could be an important work to a test of strength for the viewer. Court is the evidence that Tamhane has much to tell, though he is still looking for the best way to tell the tale."

  9. FESTIVAL

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